Representation of Korean Values Sustainability in American Remake Movies
Abstract
Globalization has triggered Korean movies more competitive. Many scholars and critics considered American and Korean popular culture domination. Hollywood has experiences in shaping the lifestyle of the world. This research aims to figure out sustainable values represented on American remakes of Korean popular movies. It also has purpose to find out the reason behind the sustainability. The study applied semiotic theories from Christian Metz. Representation approach was also applied to reveal the values beneath the transnational remakes supported by qualitative methods. The results revealed that there were several Korean values remain in the remake version of Korean American movies. It also revealed that the audience demands and taste mainly influence sustainability of values as well as universality of the values believed by the audience becomes the driving force of the sustainability represented in the remake movies.
Full Text:
PDFReferences
Adi, Ida Rochani. 2016. Fiksi Populer: Teori dan Metode Kajian. Yogyakarya: Pustaka Pelajar.
Armstrong, Charles K. 2007. Korean Society Civil Society, Democracy and the State. New York: Routledge Taylor and Francis Group.
Barsam, Richard & Monahan, Dave. 2010. Looking at Movies: An Introduction to Film. New York: W.W. Norton & Co.
Batchlor, Bob. 2009. American Pop: 1990 – Present. American Pop: Popular Culture Decade by Decade. Indiana: Greenwood Press, Indiana University.
Baron, Jaime. 2012. The experimental film remake and the digital archive effect: A movie by Jen Proctor and Man with a movie camera. The Global Remake: Framework, 53(2), 467-490.
Bortoli, Mario De & Jesus Maroto. 2001. Colors across cultures: Translating colors in interactive marketing communications. The Proceedings of European Languages and the Implementation of Communication and Information Technologies, 3-27.
Crothers, Lane. 2013. Globalization and American Popular Culture. New York: Rowman and Littlefield Publishers, Inc.
Denzin N. & Lincoln Y. 2000. Handbook of Qualitative Research. London: Sage Publication Inc.
Gans, Herbert J. 1974. Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York: Basic Books, Inc.
Glitre, Katharina. 2006. Hollywood Romantic Comedy States of the Union, 1934-65. Manchester University Press.
Gant, Mike Chopra. 2006. Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. New York: I. B. Tauris Publishers.
Grant, Barry Keith. 2003. Film Genre Reader III. Texas: University of Texas Press. Austin.
Herbert, Daniel. 2008. Transnational Film Remakes: Time, Space and Identity. A Dissertation. Cinema and Television (Critical Studies) Faculty of Graduate School University of Southern California.
Hoobler, Dorothy & Thomas Hoobler. 2009. World Religion: Confucianism 3rd Edition. New York: Chelsea House Publication.
Ibbi, Andrew Ali. 2013. Hollywood: The American Image and The Global Film Industry. CINEJ Cinema Journal, 3, 94-106.
Kim, Jin-Sook & Hyeyoung Bang. 2016. Education Fever: Korean parents’ Aspirations for Their Children’s Schooling and Future Career. Pedagogy, Culture & Society, 25(2), 207-224.
McDonalds, Tamar Jeffers. 2007. Romantic Comedy: Boys Meet Girls Genre. New York: Colombia University Press.
Metz, Christian. 1974. Language and Cinema. Translated by Donna Jean Umiker-Sebeok, The Hague: Mouton.
Monaco, Paul. 2010. A History of American Movies: A Film-by-Film Look at the Art, Craft, and Business of Cinema. Maryland: Scarecrow press, Inc.
Malhotra, Shee & Chigozirim Ifedapo Utahna. 2015. Popular Culture Media and Communication. In Kathryn Sorrells & Sachi Sekimoto. Globalizing Intercultural Communication: A Reader Sage, 206-226.
Mason, Jennifer. 2000. Qualitative Researching. London: Sage Publication
Park, Insook Han & Lee Jay Cho. 1995. Confucianism and the Korean Family. Journal of Comparative Family Studies, Families in Asia: Beliefs and Realities, 26(1), 117-134.
Parc, Jimmyn. 2018. Evaluating the Effects of Protectionism on the Film Industry: A Case Study Analysis of Korea. Handbook of State Aid for Film, Media Business and Innovation, 349-366.
Powell, Jason L. 2014. Globalization and Modernity. International Letters of Social and Humanistic Sciences, 28, 1-60.
Rae, Kim Bok. 2015. Past, Present and Future of Hallyu (Korean Wave). American International Journal of Contemporary Research, 5(5), 154-160.
Ramsdell, Kristin. 1999. Romance Fiction: A Guide to the Genre. Westport,Conn: Libraries Unlimited.
Schwartz, Shalom H. 2012. An overview of the Schwartz theory of basic values. Readings in Psychology and Culture, 2(1), 1-20.
Selden, Raman. 1985. A Reader’s Guide to Contemporary Literary Theory. London: The Harvester Press.
Segrave, Kerry. 2004. Product Placement in Hollywood Films: A History. North Carolina McFarland & Company.
Shin, Meong Jin & Westland, Stephen. 2012. Colour preferences for traditional Korean colours. Journal of the International Colour Association, 9, 48-59.
Sorensen, Clark W. 1994. Success and Education in South Korea. Comparative Education Review, 38(1)10-35.
Stepanyants, Marietta. 2018. Cultural Essentials versus Universal Values? Diogenes, 219(3), 16-30.
Stone, Lawrence. 1994. Family values in a historical perspective. The Tanner Lectures on Human Values, 67-110.
Tomlinson, John. 1999. Globalization and Culture: Heritage of Sociology Series. Chicago: University of Chicago press.
Verevis, C. 2006. Film Remakes. Edinburgh: Edinburgh University Press.
Van Ess, Hans. 2015. Symbolism and the Meaning of Colors in Early Chinese Source, 67-72.
Yecies, Brian & Aegyung Shim. 2016. The Changing Face of Korean Cinema 1960-2015. New York: Routledge.
Yuxian, Zhang. 2013. The embodiment of individualistic values in American nationality. Studies in Sociology of Science, 4(3), 36-42.
DOI: https://doi.org/10.33365/ts.v19i1.874
Refbacks
- There are currently no refbacks.
Copyright (c) 2021 Muhammad - Fithratullah
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Teknosastik: Jurnal Bahasa dan Sastra
Publisher: Universitas Teknokrat Indonesia
Address: Zainal Abidin Pagaralam Street 9-11, Bandar Lampung, Indonesia
Website: https://ejurnal.teknokrat.ac.id/index.php/teknosastik/index
Creative Commons Attribution-ShareAlike 4.0 International License